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Bluebird Review by Giovanni "Gio" Pilato Coolhand- Live at The Globe   One of the many beauties of a country like the great United Kingdom is that wherever you go no matter if it is England, Scotland, Ireland or Wales, you will always be guaranteed to find great musicians and people loving music. Daz Edwards and Luke Bradshaw from south Wales and are both great musicians and music lovers. The duo, known as Coolhand, have already been guests of our website, when BBR reviewed their self-titled debut album, a remarkable record showcasing an eclectic sound tinted with folk, rock and few sprinkles of pop here and there. The whole package supported by an all around excellent songwriting and production. Coolhand though are most of all a live band and their new album ‘Live at The Globe’ displays perfectly where the root of their sound comes from. In addition, what a live album does best is to give justice even more to the artistry of each band member and this live recording certainly hits the spot. Daz Edwards has got one of those rich and intense voices able to warm up arenas filled with thousands people. His vocal delivery is always passionate and sincere and songs like the opener ‘Virtual Life’ or ‘Give Love a Chance’ are the perfect demonstration of his many qualities as a lead singer. Edward's fellow bandmate and guitarist extraordinaire Luke Bradshaw is a musician that every band would dream to have. His guitar playing is slick, solid and his timing in keeping the whole band on stage all together is absolutely pitch perfect. If you have not yet had the chance to get Coolhand's studio album then ‘Live at The Globe’ will give you the opportunity to get the full set list of their wonderful debut album. Together with being excellent musicians, Edwards and Bradshaw are great storytellers through their songs. The live versions of ‘Hardly The Time’ a song about past disillusions and future hopes and ‘Looking Back’ the story of a man paying for a night of romance (and more) are simply superb, certainly Bluebird Review's favourites among an overall, very solid live album. ‘Live at The Globe’ also gives the opportunity and the right platform for the band to "test" new songs with their fans, like ‘Just a Man’ a song written from the view point of a non believer, a powerful tune that could potentially be included on one of Coolhand's future studio albums. ‘Live at The Globe’ is an album that shows in full the artistic depth of two skilled musicians, whose passion, respect and love for music allow them to be able to constantly deliver songs of great quality which is something that it is not easy to find in todays music business.   ” - Gio Pilato

— Bluebird Reviews

Welsh Connections Review Coolhand- Live at The Globe   'Live at The Globe' was recorded in Cardiff at the band's launch for their eponymous debut album in 2014. Guitarist Luke Bradshaw and vocalist Daz Edwards assembled a stellar cast of Welsh musicians to support them for the sell-out gig and even had the foresight to record the whole event for posterity with no thought of an album release. However, public pressure and the sheer quality of the performance made a commercial release a real possibility and 12 months later here we are! Daz's vocals are at their very best and what you hear is the actual show - no overdubs, no fixing in the studio after the fact, just a group of guys doing what they do best. Working in perfect harmony with Daz is Coolhand's co-founder Luke Bradshaw - one of the finest guitarists you're ever likely to come across.  Not only do we get treated to the original debut  studio album in full but the guys have also included several previously unreleased tracks, performed on the night, which just have to be on the next album, surely? Coolhand : Live At The Globe is a fantastic live album showcasing a group at the very top of their game. AOR has long had a dirty name, well these guys have just cleaned up.” - Michael Kennedy

— Welsh Connections

    Fatea Review by John Knighton Coolhand - Coolhand   This the debut album from Coolhand - a Cardiff-based band formed by vocalist Darren Edwards and guitarist Luke Bradshaw. After listening to this album a few times now all I can say is "Wow”! This really is an amazing first album - the first of many I suspect. The playing and singing throughout is exemplary along with tight arrangements and the superb production. The music is largely bluesy rock and all 12 tracks were written by the guys. The album kicks off with ‘Virtual Life’ which sets the tone for what's to follow. It's a guitar-driven song about modern life, with powerful vocals and a neat arrangement. Next up is ‘Summertime Shuffle’ which is an organ-infused romp. ‘Dead Man's Hand’ is the acoustic-led story of Wild Bill Hickok's last night which explodes into a guitar frenzy. There are excellent backing vocals and overall the production is quite brilliant - under-stated and crisp throughout. ‘Such a Fool’ is a sophisticated rhythmic laid-back soulful ballad. ‘Hardly The Time’ features more keyboards and acoustic guitar and excellent vocals. ‘Everything’ starts off with acoustic guitar and organ and builds into a blues-rock tour-de- force. Once again the singing is of the highest order. ‘Looking Back’ features funky guitar, great vocals, backing singing and is very tight. ‘Give Love a Chance’ shows a more subtle side to the band, with the same excellent vocals. ‘Stand Up’ is a more anthemic romp featuring tasty slide guitar. ‘Can't Carry On’ and ‘Pretender Love’ feature more great playing and singing and the album concludes with ‘J & J’ - an atmospheric instrumental on slide guitar. If you like Bon Jovi, and other American bluesy soft rock outfits, then Coolhand will be right up your street. Either way this a magnificent first album which deserves a wide audience.” - John Knighton

— Fatea

Blues Doodles Review  Coolhand The Globe gig review   Coolhand launched their debut album to a home crowd at The Globe, Cardiff. This was an opportunity to hear the music live and purchase the studio album! It was to no one’s surprise that the setlist was dominated by the twelve tracks from the self-titled debut studio album, the bonus was some new numbers including ‘Just a Man’ a contender for the next visit to the recording studio I am sure.   Coolhand are Daz Edwards on vocals and guitarist Luke Bradshaw and tonight the Cardiff boys were joined by four musicians and a two backing singers. A band of eight were tightly packed onto the stage but the sound they created made it all worthwhile. Daz took centre stage bringing an energy and great vocals as he picked up the blues vibe of the intro from guitar and keys with a song about the virtual world, spinning together traditional R n’ B with contemporary lyrics. Daz knows how to woo a crowd, and the audience’s attention was now transfixed on the musicians as the set unfolded. We heard  live versions of ‘Summertime Shuffle’ perfectly in tune with the heat of the summer that everyone was experiencing tonight at The Globe. The band closed with ‘Deadman’s Hand’ with its country blues feel with a full-on twang of the guitar filling out the story unfolding through the lyrics. This wasn’t the end of the evening there were two more tracks from the album to be given the live treatment, yes they were back for an encore ending the evening with ‘Pretender Love’; there was definitely no pretending about the skills of Luke on guitar, Gareth on keys and Daz sparkling centre stage delivering lyrics and music that is contemporary blues rock at its very best.” - Liz Aiken

— Blues Doodles Review

Eye Level  With The Stylus Review Coolhand - Coolhand   Coolhand are a Welsh band comprising of Darren Edwards, Luke Bradshaw and a supporting cast of musicians. Their eponymous debut was self-released and comprises twelve tracks of blues rock that runs the gamut from muscular 70s guitar workouts to hybrid blues/funk/soul. Their WYSIWYG credentials are bolstered by highly accomplished song-writing and some excellent individual performances. Edward’s voice is a wonderful instrument; tonally it recalls Paul Rodgers in his Bad Company days. Always sounding in control, able to reach for hidden octaves when the music requires it, it’s a voice with that balance of grit and grease perfect for this style of red-blooded music. The other stellar performer here is Bradshaw, who uses opener Virtual Life to introduce himself with some pyrotechnics in the coda. His style is instantly reminiscent of Skid Row and Empty Rooms-era Gary Moore, a confident combination of explosive and soulful. At his most fluid, Bradshaw wrenches pure emotion from his six-string in a way I haven’t heard for some years. The supporting cast do an excellent job and it’s worth noting the very fine production – this album sounds superb. So what of the songs? The first two songs set a template for the album. Virtual Life is a mid-paced stomper with mean piano, hammond splashes and a solid backbeat. Summertime Shuffle follows the opener with an organ led melody and some sunshine backing vocals that represent the more commercial aspect of the band’s output. Other standouts like Everything, with a passionate vocal from Edwards and a contemporary arrangement based on Bradshaw’s acoustic riff, or Can’t Carry On, a ballad with a series of lovely key changes and a great middle-eight. The real corker is Hardly The Time, an epic-feeling six minutes, the arpeggiated guitar parts add real depth, as do the backing vocals and it builds nicely over the life of the song; good piano too. Other cuts worthy of mention include the Booker T flavoured Looking Back and the swampy Pretender Love, full of ’ooo-ooo’ backing vocals and call-and-answer guitar licks that excuse even middle-aged men from reaching for the tennis racquet. This is an album I’ve returned to again and again since first pressing play and it deserves wider exposure. Let’s start here”

— Eye Level With The Stylus